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Women and the Material Culture of Needlework and Textiles, 1750–1950

By: (Author) Beth Fowkes Tobin , (Author) Maureen Daly Goggin

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Ksh 10,250.00

Format: Paperback / Softback

ISBN-10: 1138265829

ISBN-13: 9781138265820

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Nov 15th, 2016

Print length: 312 Pages

Weight: 470 grams

Dimensions (height x width x thickness): 19.10 x 23.40 x 2.30 cms

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With essays on a range of fiber art practices, including embroidery, knitting, crocheting, machine stitching, rug making, weaving, and quilting, this collection contributes to the ongoing scholarly redefinition of women''s relationship to creative activity. Focusing on women as producers of cultural products and creators of social value, the contributors treat women as active subjects and problematize their material practices and artifacts in the complex world of textiles.
Rejecting traditional notions of what constitutes art, this book brings together essays on a variety of fiber arts to recoup women''s artistic practices by redefining what counts as art. Although scholars over the last twenty years have turned their attention to fiber arts, redefining the conditions, practices, and products as art, there is still much work to be done to deconstruct the stubborn patriarchal art/craft binary. With essays on a range of fiber art practices, including embroidery, knitting, crocheting, machine stitching, rug making, weaving, and quilting, this collection contributes to the ongoing scholarly redefinition of women''s relationship to creative activity. Focusing on women as producers of cultural products and creators of social value, the contributors treat women as active subjects and problematize their material practices and artifacts in the complex world of textiles. Each essay also examines the ways in which needlework both performs gender and, in turn, constructs gender. Moreover, in concentrating on and theorizing material practices of textiles, these essays reorient the study of fiber arts towards a focus on process”the making of the object, including the conditions under which it was made, by whom, and for what purpose”as a way to rethink the fiber arts as social praxis.

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