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What is the Theatre?

By: (Author) Christian Biet , (Author) Christophe Triau , (Translated by) Jason Allen-Paisant , (Translated by) Joanne Brueton

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Ksh 26,100.00

Format: Hardback or Cased Book

ISBN-10: 1138701645

ISBN-13: 9781138701649

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Feb 19th, 2019

Print length: 616 Pages

Weight: 155 grams

Dimensions (height x width x thickness): 29.20 x 21.60 x 0.50 cms

Product Classification: Theatre studies

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Christian Biet and Christophe Triau focus on the practical, theoretical, and historical positions that the spectator and the reader have had in relation to the locations that they frequent and the texts that they handle; this allows us to better understand the ties that link those who participate in the theatre to the practitioners who create it.

What is the Theatre? is one of the most coherent and systematic descriptions and analyses of the theatre yet compiled. Theatre is, above all, spectacle. It is a fleeting performance, delivered by actors and intended for spectators. It is a work of the body, an exercise of voice and gesture addressed to an audience, most often in a specific location and with a unique setting. This entertainment event rests on the delivery of a thing promised and expected – a particular and unique performance witnessed by spectators who have come to the site of the performance for this very reason. To witness theatre is to take into account the performance, but it is also to take into account the printed text as readable object and a written proposition.

In this book, Christian Biet and Christophe Triau focus on the practical, theoretical and historical positions that the spectator and the reader have had in relation to the locations that they frequent and the texts that they handle. They adopt two approaches: analysing the spectacle in its theatrical and historical context in an attempt to seek out the principles and paradigms of approaching the theatre experience on one hand, and analysing the dramaturgy of a production in order to establish lines of interpretation and how to read, represent and stage a text, on the other. This approach allows us to better understand the ties that link those who participate in the theatre to the practitioners who create theatrical entertainment.


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