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Volume 2, Tome I: Kierkegaard and the Greek World - Socrates and Plato

By: (Author) Katalin Nun , (Edited by) Jon Stewart

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Ksh 9,550.00

Format: Paperback / Softback

ISBN-10: 1138276308

ISBN-13: 9781138276307

Series: Kierkegaard Research: Sources, Reception and Resources

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Nov 30th, 2016

Print length: 342 Pages

Weight: 514 grams

Dimensions (height x width x thickness): 15.70 x 23.20 x 2.10 cms

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This volume has been organised so as to reflect the full spectrum of Kierkegaard''s Greek sources. Tome I is dedicated to the different pictures of Socrates. It contains a series of articles on Plato, who is clearly his main Greek source in general. In addition, a second section features articles on Xenophon and Aristophanes, the other ancient sources of Socrates discussed by Kierkegaard. A third section contains articles that treat the reception of the figure of Socrates in the Germanophone world and in Denmark respectively.
The articles in this volume employ source-work research to trace Kierkegaard''s understanding and use of authors from the Greek tradition. A series of figures of varying importance in Kierkegaard''s authorship are treated, ranging from early Greek poets to late Classical philosophical schools. In general it can be said that the Greeks collectively constitute one of the single most important body of sources for Kierkegaard''s thought. He studied Greek from an early age and was profoundly inspired by what might be called the Greek spirit. Although he is generally considered a Christian thinker, he was nonetheless consistently drawn back to the Greeks for ideas and impulses on any number of topics. He frequently contrasts ancient Greek philosophy, with its emphasis on the lived experience of the individual in daily life, with the abstract German philosophy that was in vogue during his own time. It has been argued that he modeled his work on that of the ancient Greek thinkers specifically in order to contrast his own activity with that of his contemporaries.

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