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Visualizing Medieval Medicine and Natural History, 1200–1550 (AVISTA Studies in the History of Medieval Technology, Science and Art)

By: Alain Touwaide (Edited by) , Jean A. Givens (Edited by) , Karen M. Reeds (Edited by)

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Ksh 38,000.00

Format: Hardback or Cased Book

ISBN-10: 0754652963

ISBN-13: 9780754652960

Collection / Series: AVISTA Studies in the History of Medieval Technology, Science and Art

Collection Type: Publisher collection

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Oct 20th, 2006

Publication Status: Active

Product extent: 304 Pages

Weight: 453.00 grams

Product Classification / Subject(s): History of medicine
History of science

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Images in medieval and early modern treatises on medicine, pharmacy, and natural history often confound our expectations about the functions of medical and scientific illustrations. This work addresses fundamental questions about the interplay of art and science from the thirteenth to the mid-sixteenth century.
Images in medieval and early modern treatises on medicine, pharmacy, and natural history often confound our expectations about the functions of medical and scientific illustrations. They do not look very much like the things they purport to portray; and their actual usefulness in everyday medical practice or teaching is not obvious. By looking at works as diverse as herbals, jewellery, surgery manuals, lay health guides, cinquecento paintings, manuscripts of Pliny''s Natural History, and Leonardo''s notebooks, Visualizing Medieval Medicine and Natural History, 1200-1550 addresses fundamental questions about the interplay of art and science from the thirteenth to the mid-sixteenth century: What counts as a medical illustration in the Middle Ages? What are the purposes and audiences of the illustrations in medieval medical, pharmaceutical, and natural history texts? How are images used to clarify, expand, authenticate, and replace these texts? How do images of natural objects, observed phenomena, and theoretical concepts amplify texts and convey complex cultural attitudes? What features lead us to regard some of these images as typically ''medieval'' while other exactly contemporary images strike us as ''Renaissance'' or ''early modern'' in character? Art historians, medical historians, historians of science, and specialists in manuscripts and early printed books will welcome this wide-ranging, interdisciplinary examination of the role of visualization in early scientific inquiry.

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Mind, Body, & Spirit