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The Postcolonial Museum : The Arts of Memory and the Pressures of History

By: (Author) Alessandra De Angelis , (Author) Celeste Ianniciello , (Author) Iain Chambers , (Author) Mariangela Orabona

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Ksh 7,100.00

Format: Paperback / Softback

ISBN-10: 0815346603

ISBN-13: 9780815346609

Publisher: Taylor & Francis Inc

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Dec 15th, 2017

Print length: 274 Pages

Weight: 432 grams

Dimensions (height x width x thickness): 15.60 x 23.30 x 2.00 cms

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Transformation of museums from physical places to cultural spaces provides the opportunity to re-examine and reassess histories, sounds, voices, images, memories, bodies, expression and cultures previously repressed by the historical and traditional frames of Occidental thought. Developing the ’postcolonial’ museum in an age of mass migrations, the internet and digital technologies requires new strategies and critical approaches which will renew and extend understandings of European citizenship and result in an inevitable re-evaluation of the concept of ’modernity’ in a so-called globalised and multicultural world.
This book examines how we can conceive of a ’postcolonial museum’ in the contemporary epoch of mass migrations, the internet and digital technologies. The authors consider the museum space, practices and institutions in the light of repressed histories, sounds, voices, images, memories, bodies, expression and cultures. Focusing on the transformation of museums as cultural spaces, rather than physical places, is to propose a living archive formed through creation, participation, production and innovation. The aim is to propose a critical assessment of the museum in the light of those transcultural and global migratory movements that challenge the historical and traditional frames of Occidental thought. This involves a search for new strategies and critical approaches in the fields of museum and heritage studies which will renew and extend understandings of European citizenship and result in an inevitable re-evaluation of the concept of ’modernity’ in a so-called globalised and multicultural world.

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