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The Grief of Influence : Sylvia Plath and Ted Hughes

By: (Author) Heather Clark

Manufactured on Demand
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Ksh 23,500.00

Format: Hardback or Cased Book

ISBN-10: 0199558191

ISBN-13: 9780199558193

Publisher: Oxford University Press

Imprint: Oxford University Press

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Dec 9th, 2010

Print length: 270 Pages

Weight: 566 grams

Dimensions (height x width x thickness): 23.70 x 16.20 x 2.10 cms

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The Grief of Influence follows Sylvia Plath and Ted Hughes through alternating periods of collaboation and competition, showing how each poet forged a voice both through and against the other's, and offering a new assessment of the twentieth century's most important poetic partnership.
Throughout their marriage, Sylvia Plath and Ted Hughes engaged in a complex and continually evolving poetic dialogue about writing, love, and grief. Although scholars have commented extensively on the biographical details of Plath''s and Hughes''s marriage, few have undertaken a systematic intertextual analysis of the poets'' work. The Grief of Influence reappraises this extraordinary literary partnership, and shows that the aesthetic and ideological similarities that provided a foundation for Plath''s and Hughes''s creative marriage - such as their mutual fascination with D. H. Lawrence and motifs of violence and war - intensified their artistic rivalry. Through close readings of both poets'' work and analysis of new archival sources, Clark reveals for the first time how extensively Plath borrowed from Hughes and Hughes borrowed from Plath. She also explores the transatlantic dynamics of Plath''s and Hughes''s ''colonial'' marriage within the context of the 1950s Anglo-American poetry scene and demonstrates how each poet''s misreadings of the other contributed to the damaging stereotypes that now dominate the Plath-Hughes mythology. Following Plath and Hughes through alternating periods of collaboration and competition, The Grief of Influence shows how each poet forged a voice both through and against the other''s, and offers a new assessment of the twentieth century''s most important poetic partnership.

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