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By: Michael Ingham (Author)
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While film and theatre studies have established their own critical terms and theoretical frames of reference, the potential for dialogue and reciprocity between these two art forms is often undermined by the absence of a shared vocabulary. This book sets out to remedy this by systematically mapping out a transmedial space in which both film and theatre can be discussed. Keywords and critical terms form the central structure of this study, helping to root the areas of commonality between film and theatre in relevant, applied contexts.
Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined.
Each chapters evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonaghs The Cripple of Inishmaan and RSC Lives simulcast of Richard II to F.W. Murnaus silent Tartüff, Peter Bogdanovichs film adaptation of Michael Frayns Noises Off, and Akiro Kurosawas Ran, highlighting the multiple interfaces between media.
Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.
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