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Representations of Palestine in Egyptian Cinema : Politics of (In)visibility (Cinema and Media Cultures in the Middle East)

By: Claire Begbie (Author) , Chris Lippard (Series editor)

Out of stock

Ksh 14,250.00

Format: Hardback or Cased Book

ISBN-10: 1433188406

ISBN-13: 9781433188404

Collection / Series: Cinema and Media Cultures in the Middle East

Collection Type: Publisher collection

Edition statement: New

Publisher: Peter Lang Publishing Inc

Imprint: Peter Lang Publishing Inc

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Aug 30th, 2023

Publication Status: Active

Product extent: 122 Pages

Weight: 279.00 grams

Product Classification / Subject(s): Films, cinema
Geopolitics

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The book traces how Egyptian cinema has represented Palestine across three paradigmatic moments in modern Egyptian history: the years surrounding the 1952 Revolution; the period of the post-1967 Naksa (setback); and the turn of the twenty-first century.
Representations of Palestine in Egyptian Cinema: Politics of (In)visibility traces how Egyptian cinema has represented Palestine across three paradigmatic moments in modern Egyptian history: in the years around the 1952 Revolution, which saw Egypt’s transition from monarchy to republic; in the wake of the 1967 Defeat, which signaled the end of Nasser’s pan-Arabist project; and around the turn of the twenty-first century, at which point Egypt had not only normalized relations with Israel but integrated into the neoliberal capitalist economy. Integrating textual analysis with politico-historical contextualization, the book investigates Egypt’s popular commitment and changing foreign policy toward the Palestinian issue, arguing that varied allegorical figurations of Palestine in Egyptian cinema appear as critical reactions to the political status quo. To this end, the book’s chapters analyze, respectively, generic conventions of melodrama, social realism, and transnational cinema, all in relation to their conditions of production—commercial, state-sponsored, and transnationally funded. The book offers a critical reconsideration of an important but largely neglected body of films on a struggle which persists until today.

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