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Nature and the Numinous in Mythopoeic Fantasy Literature

By: (Author) Chris Brawley , (Edited by) C.W. Sullivan III , (Edited by) Donald E. Palumbo

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Ksh 5,400.00

Format: Paperback / Softback

ISBN-10: 0786494654

ISBN-13: 9780786494651

Series: Critical Explorations in Science Fiction and Fantasy

Publisher: McFarland & Co Inc

Imprint: McFarland & Co Inc

Country of Manufacture: US

Country of Publication: GB

Publication Date: Jul 14th, 2014

Print length: 212 Pages

Weight: 290 grams

Dimensions (height x width x thickness): 22.90 x 15.20 x 1.10 cms

Product Classification: Literature: history & criticism

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This book makes connections between mythopoeic fantasy--works that engage the numinous--and the critical apparatuses of ecocriticism and posthumanism. Drawing from the ideas of Rudolf Otto in The Idea of the Holy, mythopoeic fantasy is a means of subverting normative modes of perception to both encounter the numinous and to challenge the perceptions of the natural world. Beginning with S.T. Coleridge's theories of the imagination as embodied in The Rime of the Ancient Mariner, the book moves on to explore standard mythopoeic fantasists such as George MacDonald, C.S. Lewis, and J.R.R. Tolkien. Taking a step outside these men, particularly influenced by Christianity, the concluding chapters discuss Algernon Blackwood and Ursula Le Guin, whose works evoke the numinous without a specifically Christian worldview.

This book makes connections between mythopoeic fantasy--works that engage the numinous--and the critical apparatuses of ecocriticism and posthumanism. Drawing from the ideas of Rudolf Otto in The Idea of the Holy, mythopoeic fantasy is a means of subverting normative modes of perception to both encounter the numinous and to challenge the perceptions of the natural world. Beginning with S.T. Coleridge''s theories of the imagination as embodied in The Rime of the Ancient Mariner, the book moves on to explore standard mythopoeic fantasists such as George MacDonald, C.S. Lewis, and J.R.R. Tolkien. Taking a step outside these men, particularly influenced by Christianity, the concluding chapters discuss Algernon Blackwood and Ursula Le Guin, whose works evoke the numinous without a specifically Christian worldview.


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