In a world where alternative constructions of meaning are seen to evolve through an increasingly pluralised, digitised and mediated present, a new installation by David Osbaldeston (UK) takes established modes of artistic practice as its point of departure. With subtle humour, the legacies of conceptualism, word games, repetition and image recognition are toyed with in a bid to highlight ways in which inherited forms of communication become re-authored.
In a world where alternative constructions of meaning are seen to evolve through an increasingly pluralised, digitised and mediated present, a new installation by David Osbaldeston (UK) takes established modes of artistic practice as its point of departure. With subtle humour, the legacies of conceptualism, word games, repetition and image recognition are toyed with in a bid to highlight ways in which inherited forms of communication become re-authored.
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