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George Eliot, European Novelist

By: (Author) John Rignall

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Ksh 27,000.00

Format: Hardback or Cased Book

ISBN-10: 1409422348

ISBN-13: 9781409422341

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Jul 28th, 2011

Print length: 196 Pages

Weight: 532 grams

Dimensions (height x width x thickness): 23.50 x 16.20 x 2.00 cms

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Reading George Eliot as a European novelist among other European novelists, this title explores her use of European travel, scenes and locations in her fiction and also places her novels in conversation with the work of other major European writers. It shows Eliot's engagement with the cultures of France and Germany.
Reading George Eliot as a European novelist among other European novelists, John Rignall explores her use of European travel, scenes and locations in her fiction and also places her novels in conversation with the work of other major European writers. Throughout the book, Rignall shows Eliot''s engagement with the cultures of France and Germany, suggestively making the case that Eliot''s novels belong to the tradition of the European novel that descends from Cervantes. Rignall develops the fundamental theme of Eliot''s position as a European novelist in chapters that explore the significance of Eliot''s first visit to Germany with G. H. Lewes, Eliot''s ideas on the cultural differences between French and German writing, the incidental part travel plays in novels such as Daniel Deronda and Middlemarch, the role of European landscapes in her fiction, the dialogical relationship between Eliot and Balzac, comparisons between Middlemarch and Flaubert''s Madame Bovary, and connections between the novels of Eliot, Gottfried Keller and Theodor Fontane. Daniel Deronda is examined both within the wider context of European Jewish life and as part of a tradition of French novels that harkens back to Balzac and anticipates Proust. Rignall''s final chapter takes up Nietzsche''s notorious criticism of Eliot in Twilight of the Idols, showing that Eliot, with her sceptical intelligence, insight into the essentially metaphorical nature of language, and grasp of modernity, has something in common with this philosophical iconoclast.

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