Images of people about to die surface repeatedly in the news, particularly around the difficult and unsettled events of war, political revolution, terrorism, natural disaster, and other crises. Their appearance raises questions: What equips an image to deliver the news; how much does the public need to know to make sense of what they see; and what do these images contribute to historical memory? About To Die addresses these questions by using images of imminent death as a litmus test for considering news imagery and visual meaning more broadly.
Due to its ability to freeze a moment in time, the photo is a uniquely powerful device for ordering and understanding the world. But when an image depicts complex, ambiguous, or controversial events--terrorist attacks, wars, political assassinations--its ability to influence perception can prove deeply unsettling. Are we really seeing the world "as it is" or is the image a fabrication or projection? How do a photo''s content and form shape a viewer''s impressions? What do such images contribute to historical memory? About to Die focuses on one emotionally charged category of news photograph--depictions of individuals who are facing imminent death--as a prism for addressing such vital questions. Tracking events as wide-ranging as the 1906 San Francisco Earthquake, the Holocaust, the Vietnam War, and 9/11, Barbie Zelizer demonstrates that modes of journalistic depiction and the power of the image are immense cultural forces that are still far from understood. Through a survey of a century of photojournalism, including close analysis of over sixty photos, About to Die provides a framework and vocabulary for understanding the news imagery that so profoundly shapes our view of the world.
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